I'm trying to deal with ideas about histories, fame, hearsay, and how public identities are constructed.

I think what I'm trying to do is create moments of recognition. To try to detonate some kind of feeling or understanding of lived experience.

As with the Princess Di crash, which sent the media on the most insane feeding frenzy. From the moment of the crash, the pornography of sentiment never let up.

It entered the visual vocabulary of photographers, painters and sculptors and focused on what pictures and words look like and what they can mean.

It's a small world, but not if you have to clean it

I think that every so-called history book and film biography should be prefaced by the statement that what follows is the author's rendition of events and circumstances.

Love is something you fall into.