Photography has saturated us as spectators from its inception amidst a mingling of laboratorial pursuits and magic acts to its current status as propagator of convention, cultural commodity, and global hobby.

We are obliged to steal pieces of language, both visual and textual.

You want it, you buy it, you forget it.

I'm trying to deal with ideas about histories, fame, hearsay, and how public identities are constructed.

I feel uncomfortable with the term public art, because I'm not sure what it means. If it means what I think it does, then I don't do it. I'm not crazy about categories.

I don't necessarily think that installation is the only way to go. It's just a label for certain kinds of arrangements.

I worked with someone else's photos; I cropped them in whatever way I wanted and put words on top of them. I knew how to do it with my eyes closed. Why couldn't that be my art?