Photography has saturated us as spectators from its inception amidst a mingling of laboratorial pursuits and magic acts to its current status as propagator of convention, cultural commodity, and global hobby.

I think pictures and words have the power to make us rich or poor.

I work with pictures and words because they have the ability to determine who we are, what we want to be and what we become.

I remember going into galleries and seeing this thing called conceptual art, and I understand people’s marginalization from what the art subculture is because if you haven’t crashed the codes, and if you don’t know what it is, you feel it’s a conspiracy against your unintelligence. You feel it’s fraud.

If I bring up political power, personal power, it sounds like they're my terms, and they're not.

I see my work as a series of attempts to ruin certain representations and to welcome a female spectator into the audience of men. If this work is considered incorrect, all the better, for my attempts aim to undermine that singular pontificating male voice-over which correctly instructs our pleasures and histories or lack of them.

I think that every so-called history book and film biography should be prefaced by the statement that what follows is the author's rendition of events and circumstances.