I think that every so-called history book and film biography should be prefaced by the statement that what follows is the author's rendition of events and circumstances.

I think there are lots of ways to make good work. You can throw big bucks at a project and make what some would call crap, or you can work very modestly with eloquently moving results.

We are obliged to steal pieces of language, both visual and textual.

Art is as heavy as sorrow, as light as a breeze, as bright as an idea, as pretty as a picture, as funny as money, and as fugitive as fraud!

I work with pictures and words because they have the ability to determine who we are, what we want to be and what we become.

You make history when you do business.

I see my work as a series of attempts to ruin certain representations and to welcome a female spectator into the audience of men. If this work is considered incorrect, all the better, for my attempts aim to undermine that singular pontificating male voice-over which correctly instructs our pleasures and histories or lack of them.