You want it, you buy it, you forget it.

I work with pictures and words because they have the ability to determine who we are, what we want to be and what we become.

I like suggesting that ‘we are slaves to the objects around us,’ that ‘plenty should be enough,’ or that the ‘buyer should beware,’ within the context of conventional selling space.

It entered the visual vocabulary of photographers, painters and sculptors and focused on what pictures and words look like and what they can mean.

Images are made palpable, ironed flat by technology and, in turn, dictate the seemingly real through the representative.

Direct address has been a consistent tactic in my work, regardless of the medium that I'm working in.

Architecture is my first love, if you want to talk about what moves me... the ordering of space, the visual pleasure, architecture's power to construct our days and nights.