Shrimp are the insects of the ocean. They're bottom feeders. So they're delicious, but they're the bugs of the sea.

Surprisingly I've never really stolen anything. One time when I was really young, I was walking down the street, found a GI Joe in the mud, and took it home and I was like, "I got a GI Joe!" And then my great grandmother was like, "You stole that." I said, "What are you talking about?" and she said, "That's not yours." I'm like, "But I found it!" She's like, "But it's not yours, and therefore you stole it." So I just went and put it right back in the mud where I found it.

There's a difference between a sense of humor and a sense of funny. A sense of humor is knowing what makes you laugh and a sense of funny is knowing what makes other people laugh. The journey of comedy, in a sense, is negotiating those two worlds.

The album [Blaxistential crisis] artwork is by a friend of mine who is a brilliant artist named Sara Pocock. We've been friends for a couple of years and she worked with me on the animation. I believe she's still working over at BuzzFeed.

I'm working with a lot of legends who are brilliant who are people I've looked up to from a very young age.

[Harold Pinter] is a British playwright and is one of my favorite writers. Harold was very obsessed with when memory becomes mythology, that at some point you change your memory to fit who you believe you are.

Basically I made her [ Sara Pocock] listen to funk music for a good month, a nonstop stream of George Clinton. I was talking about the art from...if you look at the art from George Clinton albums there are two or three artists he worked with...I made her listen to my album too so all the images are from jokes I made. I wanted it to look like the thoughts that are coming out of my brain which is what comedy is anyway.