Producers - we always think, "Well, producers are very powerful," but producers don't really have the power. It's the appearance they might, but they don't. Even the actors don't. Even the studio heads don't, because they're beholden to this corporation and what the corporation wants. So no one really has the power, and everybody's trying to get through the day, and everybody's nervous and desperate.

As soon as digital editing came about, I immediately made the switch to digital.

The interesting thing about movies, it's not always - y'know, you have to have structure etc and all those things, but an audience responds, in many ways, we walk away and certain things stay in our heads that are memorable.

I don't see Sarah Palin suddenly spilling over to a wider group where suddenly they go, "Wait a minute, I've heard her message, and now I'm beginning..." It's not expanding it. A politician that doesn't expand from the base is not a good politician. So I disagree with all the talking heads that go "Well, she's a very good politician." She's not! Good politicians expand, and she doesn't.

We're never going to be the ultimate-insider look. You can do 50 insider looks at this Hollywood business, and the satire didn't intrigue me. I think others can do that.

I do know when you look at some ballplayer and all of a sudden he is the size of a truck something is wrong.

Rain Man certainly didn't test really well. If you look at it carefully, you have a disease autism they didn't understand back then, they didn't know in the test audience whether it's okay to laugh or not laugh, because it's a film that's done in a way where, "Well, maybe I'm not supposed to laugh." At the end of the film, Dustin Hoffman gets on the train and doesn't even acknowledge his brother. Not even a glance, nothing. That's why the studio said, "Can't you just have him look at Tom Cruise at the end of the film?"