They're intimidating the networks and levying these fines, so the networks are not sure of what they can or can't do.

We're never going to be the ultimate-insider look. You can do 50 insider looks at this Hollywood business, and the satire didn't intrigue me. I think others can do that.

There's no downside to having too much experience.

You have a movie and it proves itself and then certain things happen.

There was a time when I said, "I'm going to go do a television thing," after doing all these theatrical films, and heard, "Television? Why are you going to go back to television?" It's an interesting place.

Everybody's trying to hold onto some shred of dignity in the process of it all, and, at the same time, never talking about how they don't have the power. No one has the power. So, you know, producers - we always think, "Well, producers are very powerful," but producers don't really have the power.

I think we are seeing a radical shift in the business in general. The studios are making much more of the real big extravaganzas and there are other kinds of films that are coming out. I think you are going to begin to see more diversification that we've seen in the past.