Everybody's trying to hold onto some shred of dignity in the process of it all, and, at the same time, never talking about how they don't have the power. No one has the power. So, you know, producers - we always think, "Well, producers are very powerful," but producers don't really have the power.

When I was growing up in Baltimore, the Colts were not just a team that played in the city. It was part of the city. Football players didn't make close to the money they make today and most took jobs in the off-season. Some were mechanics, others worked at furniture stores, and you could find them drinking at a neighborhood watering hole.

As soon as digital editing came about, I immediately made the switch to digital.

A lot of people have done things over the years and made fun of people in one way or another. When I was a kid, Vaughn Meader used to do John F. Kennedy. I don't know if that makes John F. Kennedy less credible. He would do the voice, he'd have some silly situations or whatever. I don't know if it made him less presidential because of it.

I'm fascinated by documentaries, to begin with. Because of the nature of television, as opposed to theatrical, documentaries can be in this long form and take you on a journey.

There's no downside to having too much experience.

I don't know that you can do it as a satire. I mean, the business is crazy enough as it is. It's like doing Wag The Dog - we took a thing that was almost completely absurd on one level, and then ultimately those things came about.