You do understand that you can't force the situation, but in terms of how you edit, you can define that to take the audience along, whether it be a storyline or a character moment that we can play out. The more experience you've had, the more beneficial it is, period.
Barry LevinsonI got involved with an acting school and studied for a couple years. They used to have improv exercises that you would work on and you would do improvs.
Barry LevinsonI've had a lot of movies that didn't get great numbers on test screening, but a lot of times the film was able to survive, or the studio still stayed and supported it.
Barry LevinsonI don't see Sarah Palin suddenly spilling over to a wider group where suddenly they go, "Wait a minute, I've heard her message, and now I'm beginning..." It's not expanding it. A politician that doesn't expand from the base is not a good politician. So I disagree with all the talking heads that go "Well, she's a very good politician." She's not! Good politicians expand, and she doesn't.
Barry LevinsonDifferent reactions while film test screening doesn't mean even the audience thinks ambiguity is a bad thing. But if you're asking them right away to start checking things off, they don't know what to do. I think at their best, it applies to when the audience knows what it is. Then, when they say, "Oh, well, I thought it was too boring in blah-blah-blah part," then you better pay attention to it. It's like going for the hamburger. Better be the good hamburger I went for.
Barry Levinson