Some actors are supposed to be very difficult, but I've not found that to be the situation.

Creative differences are legendary in this movie business, so we're really not exploring the creative-difference aspect as opposed to the money aspect, or the fact that something can come up in a movie and literally put the whole movie on the line, and this is where producers have to earn their keep.

First of all, just to get Diner made would have been an achievement in that I got a chance to direct.

As soon as digital editing came about, I immediately made the switch to digital.

Some actors are supposed to be very difficult, but I've not found that to be the situation.

Studios just sometimes make decisions on their own that you're always flabbergasted by. It just happens that way for whatever reason - not even pointing fingers, it just is.

I play around with human things, human relationships and that, and allow that kind of talk to work in that way, on that level.