That's why I had to leave Hair on Broadway, because I did it for about a year, and one night I was doing the show, and I realized, well, this is not real. I told the director. He says, man, it was a killer show tonight.

The big turning point, really, was the Beatles' influence on American folk music, and then Roger took it to the next step, and then along came the Lovin' Spoonful and everybody else.

I know great songwriters. Fred Neil would come up when he was in L.A., we all used to hang out. He would sit there and sing, and we would just melt. I mean, we would go to his recording sessions.

I remember we woke up one morning at Denny's house and John Phillips called. He said, you guys okay? We said, yeah, what's wrong, what's going on? He said, well, everybody's dead over at Sharon's house at Terry Melcher's place.

So he was opening night... I was out of a job, and I'd been to every producer in Hollywood trying to get a job singing. But nobody wanted to know me.

That's why I had to leave Hair on Broadway, because I did it for about a year, and one night I was doing the show, and I realized, well, this is not real. I told the director. He says, man, it was a killer show tonight.

Think of all the hate there is in Red China, then take a look around to Selma, Alabama.