That's why I had to leave Hair on Broadway, because I did it for about a year, and one night I was doing the show, and I realized, well, this is not real. I told the director. He says, man, it was a killer show tonight.

The big turning point, really, was the Beatles' influence on American folk music, and then Roger took it to the next step, and then along came the Lovin' Spoonful and everybody else.

So he was opening night... I was out of a job, and I'd been to every producer in Hollywood trying to get a job singing. But nobody wanted to know me.

You don't believe in war, but what's that gun you're totin'.

That's why I had to leave Hair on Broadway, because I did it for about a year, and one night I was doing the show, and I realized, well, this is not real. I told the director. He says, man, it was a killer show tonight.

To have a songwriter that wrote so specifically what I felt to be true... I've never been much of an actor either. If something is real for me, then I can do it.

There's only one drummer. We all travel to his beat. Well, I couldn't sing his song. Because for me, it wasn't a truthful statement. Well, Linda sang it, and it was a monster for her.