And there was a real shedding of the old dogma, like boundaries of morality were being broken down and everybody was into the new party mode of just loving on each other. Which destroyed thousands of us. I lost 16 of my personal friends through that lifestyle.

The big turning point, really, was the Beatles' influence on American folk music, and then Roger took it to the next step, and then along came the Lovin' Spoonful and everybody else.

That's why I had to leave Hair on Broadway, because I did it for about a year, and one night I was doing the show, and I realized, well, this is not real. I told the director. He says, man, it was a killer show tonight.

To have a songwriter that wrote so specifically what I felt to be true... I've never been much of an actor either. If something is real for me, then I can do it.

I know great songwriters. Fred Neil would come up when he was in L.A., we all used to hang out. He would sit there and sing, and we would just melt. I mean, we would go to his recording sessions.

You tell me over and over and over again, my friend, you don't believe we're on the eve of destruction.

When I wrote 'Green, Green,' it was like a really a statement of where I was at philosophically in my life.