Bat for Lashes Quotes

To be a great artist, you need to know yourself as best as you possibly can. I live my life and delve into my own psyche. Its more about exploring how I feel rather than making pale imitations of something that came before. We are unique beings, and the way we look at things is our own.

I think the best cure is to stop doing the thing that you think you should be doing and go and have a bit of fun in another medium, maybe other crazy things.

Music's free and music's for everyone to enjoy and express and interpret. It transcends countries and times and decades.

When I use electronic beats and program things, there's something quite brain about that - you're feeling it in your body but it's like a puzzle you wanna solve, and it gets very detailed. I really enjoy that side of music.

I'd love to win a Grammy! Not ambitious or anything. And just having a really lovely bunch of kids and a happy family life, would be good for me.

They say for every high high there must be a low low low low low

I had Halloween parties every year, as it was my birthday five days before. My parents would actually put prosthetic noses on, and my dad would wear a top-hat and tails, put on a fake curly moustache, and hold a pipe.

I've hidden behind my hair more than clothes. Sometimes having long hair with a fringe is very useful when you don't want to look at people. I used to have very short hair, but long hair is my thing - a black nocturnal shield.

I always think that the exceptional people are those who remain outsiders but still communicate on a grand scale. I think I want everyone to feel more free, and so I feel really claustrophobic on behalf of lots of people.

Dad was an amazing storyteller and illustrator, which he did in his spare time - very inspiring and dramatic.

I think what I wanted to do was meet someone who knew more than me about songwriting structure and progressions and middle eights and things that more traditional writers write and I don't usually employ.

I'd tell everyone to come in naked in full body paint.

Exploring the different avenues and being open to synchronicity and crazy coincidences and little things happening is part of going on your journey to investigate - and the little jewels you might find along the way, my job is to bring those back home and put them on my album.

I did gardening and cooking and drawing and reading to try take the pressure off the music - just being eclectic and putting the fun back in and bringing more innocence in again is really important.

It's very much to do with how I'm feeling ... I love to be experimental and use eclectic mismatched things and put them together to see what third entity is created! I'm not really frightened by experimenting - that's the main thing. I really like mixing very old beautiful pieces that are from thrift shops or that have some historical value with quite new futuristic things.

I wrote about Freud and the process of sublimation, which is when you learn to stop breast-feeding, or stop going to the toilet whenever you want to. It's about learning to repress a desire for instant gratification. And in a repressed society, artists fulfil a sense of harking back to instant gratification, or immediate expression, by doing things that function on the edge of society, or outside of what is conventionally accepted.

I find it really interesting that people are shocked by the raw, natural representation of a woman and a man's body. I guess it's subverting our expectations in terms of how we've come to expect women to present themselves when they're being naked. Also the woman's and the man's role is subverted in that image. You'd expect the man to be carrying the woman.

I like to get dark sometimes and then come back out into the light.

We are bits of energy floating about in various guises, and when we die we rejoin the big cosmic soup of the universe.