I think what I wanted to do was meet someone who knew more than me about songwriting structure and progressions and middle eights and things that more traditional writers write and I don't usually employ.

I wrote about Freud and the process of sublimation, which is when you learn to stop breast-feeding, or stop going to the toilet whenever you want to. It's about learning to repress a desire for instant gratification. And in a repressed society, artists fulfil a sense of harking back to instant gratification, or immediate expression, by doing things that function on the edge of society, or outside of what is conventionally accepted.

To be a great artist, you need to know yourself as best as you possibly can. I live my life and delve into my own psyche. Its more about exploring how I feel rather than making pale imitations of something that came before. We are unique beings, and the way we look at things is our own.

I had Halloween parties every year, as it was my birthday five days before. My parents would actually put prosthetic noses on, and my dad would wear a top-hat and tails, put on a fake curly moustache, and hold a pipe.

When I use electronic beats and program things, there's something quite brain about that - you're feeling it in your body but it's like a puzzle you wanna solve, and it gets very detailed. I really enjoy that side of music.

Music's free and music's for everyone to enjoy and express and interpret. It transcends countries and times and decades.

It's very much to do with how I'm feeling ... I love to be experimental and use eclectic mismatched things and put them together to see what third entity is created! I'm not really frightened by experimenting - that's the main thing. I really like mixing very old beautiful pieces that are from thrift shops or that have some historical value with quite new futuristic things.