I'm more critical of my songwriting than anybody, but I've worked really hard in the last five to 10 years to improve. I didn't take it all that seriously when I started. It was a little bit of a stigma to being a songwriter or a folkie back then. I did a lot of send-ups of sensitive singer-songwriter stuff when I was starting out, which limited my development as a songwriter in a way. I wasn't really fully given license to explore that until the mid-90s. I'm still working on it; I'm a little bit of a late bloomer.
BeckI know my own limitations. And if somebody says, "I need songs for a cartoon garage band - they look like this and they should sound like this," it gives you a direction. I like having that kind of assignment.
BeckThere are people who've prepared their whole lives for real heavy success and bask in it. They're so good at it and they obviously love it. I'm just happy to be making a record.
BeckJust out of curiosity, I wonder what makes music or culture or taste go in certain directions. Who knows what the forces are behind it.
BeckFor the records I've work on over the last 10 years, I get sent the really compressed version and the non-compressed version, and oftentimes you end up going with the more compressed one because it's what people's ears are attuned to. I think the bigger problem is saturation and people being desensitized.
Beck