Back then, Pro Tools only had four or eight tracks, so we couldn't actually hear all the tracks. We could only hear eight at a time, so if a song had 25 or 30 tracks, we wouldn't be able to hear it until we went into the studio an put it all on tape. The process was a little bit backwards.

I think trying to be offbeat is the most boring thing possible.

There are certain records that you love because the songs are great, but you don't go to them as an example of great production.

I had long hair when I was a teenager.

Back then, Pro Tools only had four or eight tracks, so we couldn't actually hear all the tracks. We could only hear eight at a time, so if a song had 25 or 30 tracks, we wouldn't be able to hear it until we went into the studio an put it all on tape. The process was a little bit backwards.

You spend so many months and years in the studio, and you see the clock ticking and so much time spent on the minutiae of technical things. And I just thought it'd be fun to do something extremely fast and get that rush of something that had some energy, something that you weren't tired of when you finished it.

When I pull out vinyl - which isn't that often anymore - it's undeniable that I get a different feeling. There's a different physiology happening between the sound waves and the body that doesn't happen with music playing off the computer.