I think the Flecktones are a mixture of acoustic and electronic music with a lot of roots in folk and bluegrass as well as funk and jazz.

There is a tendency to want to isolate a little bit, from people that might look at me from a fan position, because it's hard to be a real person around them, and I really want that when I'm not out on tour and in that sort of public eye.

Sometimes you can fix something that went wrong with what you do next and make it better than it would have been if it hadn't gone wrong, as an improviser, and I do know how to do that.

I always try to work with people who are better than me, so I can learn more.

And then Earl Scruggs comes along and transforms the banjo into a virtuosic modern instrument. For the first time, the Southern banjo style becomes the identity of the banjo, and everything from before is wiped off of people's consciousness by the power of that explosion.

There are a lot of chapters to the banjo's history. Part of it are the roots in Africa, where it's a more primitive instrument. Then it comes to the United States where it morphs into the slave music that they created here, which was very African in origin.

I think it is very ironic that most people think that the banjo is a southern white instrument. It came from Africa and even for the first years that white people played banjo they would put on blackface.