The actor depends wholly on himself. He gives his performance in what, to him, seems the most effective manner.

I have played Dracula a thousand times on stage and I find I have become thoroughly settled in the technique of the stage and not of the screen.

That is different, to have someone think that I am evil when I really am not.

In the studio the director controls the actor's every move, every inflection, every expression.

Of all the roles I've done on the stage, I'm partial to Cyrano de Bergerac.

There was no male vampire type in existence. Someone suggested an actor of the Continental School who could play any type, and mentioned me.

In Hungary, acting is a career for which one fits himself as earnestly as one studies for a degree in medicine, law, or philosophy.