I've consciously taken on material that's a bit too much for me but not an overreach. The first movie, just about performances. 'The Town,' I learned how to work broader material, develop tension, direct bigger scenes, action sequences. 'Argo,' I experimented with film stock, widened the scope of my geography.

If we try to define our own moral universe, there's a price for that.

Well I've never used that phrase before, but yes she is bootylicious.

One of the differences between now and then is that the idea of body image is a much bigger issue now. Back then, just being kind of heavy and barrel-chested passed for heroic. Now, you wouldn't dare to play a hero without a lot of dieting and various specialised abdomen machines. But that was one of the things which was interesting about it and I did want to portray because there's good and bad.

One guy told me I was a great actor, I just would never be on the cover of a magazine.

People think you have this exciting and romantic life, because you project this exciting, romantic life on screen. But in reality you're just doing the same thing as everyone else - you know, sitting around watching TV with your gut hanging out, playing with your kid, or even sitting on the toilet. You know what's weird? Even I'm not that interested in my personal life any more.

To answer the question, though: I didn't always want to direct. I just liked the idea of it. If a friend was making a short and needed someone who knew screen direction, I would jump in. It would be horrible, but it led to a short, then another, and another. It was like student films.