No matter how much you change, you still got to pay the price for the things you’ve done.

I recognize that Hollywood is not about seniority. Often it's not even a meritocracy. It's about what you did yesterday. You have a couple of misses, and suddenly it's impossible to find a hit. So the swings are gigantic. But I've always understood it as such, and navigated it as such.

No matter what you're doing, if you're trying to make a movie, you need to be working with people that are really good and who make you better.

It's much nicer to be praised than to be damned. But you have to have a certain sense of your own priorities and ideas about what works and what doesn't because otherwise, if you're just looking for eternal validation all the time, you can be motivated by the wrong things and I don't think it's as personally satisfying in your own work.

I simply asked if I could have a go at adapting a screenplay. But I did not want any money, in case I failed because I did not want a script out there with my name on it that might be completely dysfunctional.

I've got to work really hard and I know exactly what I've achieved because I know how hard I've worked, and I make sure to work as hard as I absolutely possibly can, because I know that's the only shot I have at being successful.

I never know what my next move will be in Hollywood. It's such an unpredictable town. People get jaded and lost and I've been able to stay a float. I think the next logical step in my career would be to start my own filmmaking empire like (Harvey Weinstein) and (Bob Weinstein) did so many years ago. I think if only the unions weren't so strict in Boston, I'd set up shop there and make films of a certain quality you don't see represented these days. I'm full of ideas and dreams.