I like acting for myself as a director. I act and I know that I'll have a chance to have some say in what gets used and that I'll be able to give myself enough takes and be on the same page as myself about how the scene should play.

Clearly, there's a real onus on you to do something correctly when everybody, at least in the United States, had a really clear, specific idea of what this guy looked like - and even more so, what he looked like as Clark Kent and as Superman. You have this whole vast audience of people who would be acutely aware of any deviation whatsoever and probably holding you to a slightly higher standard as a result.

I recognize that Hollywood is not about seniority. Often it's not even a meritocracy. It's about what you did yesterday. You have a couple of misses, and suddenly it's impossible to find a hit. So the swings are gigantic. But I've always understood it as such, and navigated it as such.

I've consciously taken on material that's a bit too much for me but not an overreach. The first movie, just about performances. 'The Town,' I learned how to work broader material, develop tension, direct bigger scenes, action sequences. 'Argo,' I experimented with film stock, widened the scope of my geography.

Sure, I suffered a lot. But it's not like the end of the world and it's not who I am. I lead quite a pleasant life and I'm able to divorce a perceived reality from my actual experience of life.

I'm trying to make people feel welcome and feel valued.

I like acting for myself as a director. I act and I know that I'll have a chance to have some say in what gets used and that I'll be able to give myself enough takes and be on the same page as myself about how the scene should play.