We forget the conditions - not only in slavery - but after slavery, when there was this purposeful locking out of African Americans from economic opportunity. Or we forget today's incarceration rates, and educational and housing discrimination; all of these things. We pretend that everything that has happened happened long ago, and then we act as if we all now just treat each other equally, everything will be fine.

One thing that fiction does is it allows us to take big picture questions, big issues, big moral and socio-political changes and see how they play out on real people's lives, with real individuals.

Because as any writer will tell you, an IDEA for a book is like falling in love, it's all wild emotion and headlong rush, but the ACTUAL ACT of writing a book is like building a relationship: it is joyous, slow, fragile, frustrating, exhilarating, painstaking, exhausting, worth it.

In terms of optimism, I am optimistic. I do think that, in the long term, that America will right itself. I have to think so.

A book is not a tweet. A book is not a half-hour television show. A book requires for both reader and writer sustained discipline attention. It asks you to immerse yourself in something and really deeply feel it.

The election of Donald Trump is, to me, this very clownish personality with no political experience, who had literally been using fascist slogans in his campaign. It had seemed so impossible. Even after he was elected, and even now, it still feels impossible. It felt like we had fallen into this wormhole of history.

It is really something, the extent to which we allow ourselves to live without thinking of things that we know, in the abstract, are bad, and are going on right now, somewhere far away. We think, "Well, what are you gonna do?" In a way, that little instinct, that "What are you gonna do?" is the most dangerous thing in the world.