It is part of what makes America great. That tradition of the free press, and also the tradition of this highly competitive market for investigative journalism. We're seeing, there's no question, that we're seeing a renaissance of that.

The membrane between where we are right now and a very different reality, is so much thinner than we like to think. Things can go back, and things can go to the side, and things can go to places where we might not even have been on guard that they might go. I think that if there is a great gift that this [Donald Trump] election gave us, is this sort of sense of vigilance, the sense that we have to remain on guard. We have to support our free press.

One thing we've learned about Donald Trump - this candidate first, president-elect, and now president - is that he has this sort of reptilian instinct for rooting out supposed enemies and finding people he can whip up distrust into rage.

A book is not a tweet. A book is not a half-hour television show. A book requires for both reader and writer sustained discipline attention. It asks you to immerse yourself in something and really deeply feel it.

There is little novelty in the detective who cannot solve himself.

Because as any writer will tell you, an IDEA for a book is like falling in love, it's all wild emotion and headlong rush, but the ACTUAL ACT of writing a book is like building a relationship: it is joyous, slow, fragile, frustrating, exhilarating, painstaking, exhausting, worth it.

I think it's hard sometimes for people to grapple with the real-life consequences of political change. I think that, we as a culture, feel like politics is one sector of our lives that can feel apart from our personal lives and the cultural things we're interested in and the sports we watch. It feels like this separate, different thing.