Fiction has this special power. It has a power to clarify, to galvanize, to prophesy, and warn.

I think it's hard sometimes for people to grapple with the real-life consequences of political change. I think that, we as a culture, feel like politics is one sector of our lives that can feel apart from our personal lives and the cultural things we're interested in and the sports we watch. It feels like this separate, different thing.

That one lesson that African American communities have learned over the centuries in America is that you can't just take for granted that things will steadily get better and better and better until they're great. It is fits and starts. It is backward and forward.

The election of Donald Trump is, to me, this very clownish personality with no political experience, who had literally been using fascist slogans in his campaign. It had seemed so impossible. Even after he was elected, and even now, it still feels impossible. It felt like we had fallen into this wormhole of history.

Because as any writer will tell you, an IDEA for a book is like falling in love, it's all wild emotion and headlong rush, but the ACTUAL ACT of writing a book is like building a relationship: it is joyous, slow, fragile, frustrating, exhilarating, painstaking, exhausting, worth it.

One thing that fiction does is it allows us to take big picture questions, big issues, big moral and socio-political changes and see how they play out on real people's lives, with real individuals.

The membrane between where we are right now and a very different reality, is so much thinner than we like to think. Things can go back, and things can go to the side, and things can go to places where we might not even have been on guard that they might go. I think that if there is a great gift that this [Donald Trump] election gave us, is this sort of sense of vigilance, the sense that we have to remain on guard. We have to support our free press.