I have a rather naive approach, I think, to my job.

Working in film, if you work with great directors, you learn that after every take you must let go. Sitting with my wife at the Academy Awards, we both let the moment just go.

I'm open to any project, but my joyful projects are those through which I can say something and through which I can speak to the an audience of people in the world, and I can be that vehicle through which something can be said, I find that entirely thrilling and joyful.

I have never felt bereft of anything.

The leaping Jaguar on the bonnet, to me, makes it look more like a hunter than something that is getting away. It's a hunter. Richard III definitely would have had a chauffeur driven Jaguar MK X.

The many many imponderables come together when a film opens and for all sorts of reasons it may or may not succeed.

In order to inhabit a villain, you mustn't care what the audience think of you. That's not why you are there. You mustn't care for a second whether the audience likes you or dislikes you. Your villain has to be way beyond that.