I want to play a man in uniform. I've got tremendous respect for that life that they lead. We know so little about it. It's never discussed or talked about, when they come back from battle. I want to examine the choices that have to be made in those terrible times. [...] I'll get to wear a uniform.

It's Sir Ben. I've not been a Mister for two years.

You don't go to a town to present the play and have applause at the end of it, but that's benign conquest. It's a glorious way of exploring other landscapes and other cultures in a very life-affirming way.

The hierarchy of class in London was rigid. It was like a religion. It still is to a certain extent.

I was fortunate as a young actor, to go straight to the RSC, where I learned that being an actor can bring with it wonderful responsibilities.

There is always something about the villains that I'm able to play, quote unquote, that isn't villainous.

I think the actor has a tribal role as the archetypal story teller. I think there was a time when the storyteller, the priest, the healer, were all one person in one body. That person used to weave stories at night around a small fire to keep the tribe from being terrified that sun had gone down.