I think that various styles and methods and approaches are an invention of people who don't understand the process of acting and who try very hard to label things.

I think that most actors attempt to keep in touch with the child.

If one is going to offer children stories that underneath the story must be something that will inform, stimulate and guide, I love to be on board. I think anything that resonates with history, as does The Jungle Book and Watership Down, reflects patterns of behavior, power struggles, deprivation, migration, survival, joy, love, betrayal, and all of these things. It's tragic that children are encouraged to ignore history. We ignore history and any literature that is historically based in history. Even though both of those films involved animals, of course they reflect human behavior.

I always try to find something I admire about every character I play.

One of the greatest things drama can do, at it's best, is to redefine the words we use every day such as love, home, family, loyalty and envy. Tragedy need not be a downer.

My wife and I have now founded Lavender Pictures. If one has one's own company, there are very few surprises, but there's still the actual thrill of trying to get these projects off the ground. We're meeting with some measure of success. Always, now and at any stage of my career, I'm open to ambush, but there have been the most extraordinary set of coincidences, which continues through my journey, and I find it thrilling. Often, out of left field and quite randomly, comes a project and I think, "My god, there you are!" It's quite beautiful, really.

You cannot learn a lesson of profound forgiveness unless you understand what it is to be wounded and forgive that which has wounded you.