There were the usual types of things that happen, in a production, like logistical bullshit, and this and that and the other. That's the sort of stuff that happened. But I never felt, in a creative sense, that we were ever veering into a place that I hadn't signed on for.

There's very little different between the way the government operates in America and the way criminals do.

I mean, there's a sense wherein you skip a part of childhood, too, when you start working at that age I did; I was out working and out of home at 15, paying my own way in the world.

I think that story wins out over acting and that the thing as a whole is more important than the performances therein.

At 15 I had moved out of my parents' place, and my options were looking pretty narrow. But I had this acting thing and I just wanted to be able to keep going because it was really good. That was all I wanted.

Life is a lot sweeter, I think, than you can be aware of it at times.

From my point of view, things don't have to change to get better. Things are fantastic.