The people I've encountered who are really dangerous in my life don't go around with their fangs drawn - they are dangerous because of the way they interpret what's going on.

I think that story wins out over acting and that the thing as a whole is more important than the performances therein.

People don't know who I am, and that's not a bad thing at all from my end.

I think now there's much more of a confessional culture. That's not my bag. I come from a slightly older school of thought: 'give 'em nothin.' You don't plead guilty.

From my point of view, things don't have to change to get better. Things are fantastic.

There were the usual types of things that happen, in a production, like logistical bullshit, and this and that and the other. That's the sort of stuff that happened. But I never felt, in a creative sense, that we were ever veering into a place that I hadn't signed on for.

I've spent various periods of my career being thought of as various things, various degrees of substance and ideas.