I wanted to be funny for people who didn't care about fashion at all, to just to kind of exist as a silly character.

I had two projects that fell apart during preproduction. The first one was this movie that Judd Apatow and I had written about two guys following the Rolling Stones. It was going to be half concert film, half pseudo-documentary. It was Mick Jagger's idea.The other one was Simple Plan, based on a novel by Scott Smith. It's a great book - really stark, not a comedy - about a guy who finds $4 million in a plane crash and decides to keep it.

When I was growing up, This is Spinal Tap [1984] was the ultimate comedy, and it was the kind of thing I wanted to do. But you get to a point with parody where you can't go much further because ultimately it's feeding off of somebody else's creativity.

I don't know what that weid fantasy is that makes people go, "Oh, you must have had a great childhood."

Paul is Starsky, and I met him before shooting. He was very kind and encouraged us to go with what we wanted to do. It was very sweet to see them back with the car after 25 years.

The big-name stars . . . are always going to be playing what they've played before if they want to remain so-called A-list stars. That's why someone like Johnny Depp is doing more interesting roles not caring about the size of the movie.

I was staying on [writer/director/actor] Eric Schaeffer's couch in New York, and he said, "I've got this movie [If Lucy Fell]. Can you do five days on it?" And I was like, "Yeah, anything. Twenty-four hours times five is 120 hours. Oh, great, I'll fill 120 hours of my life with something." So I did that and it was fun, and then I did Flirting with Disaster.