I was very nervous about doing the Entertainment Weekly cover, because I thought, "Okay, this is the first taste, this is the first visual moment." By then I obviously knew a lot of the more iconic moments in his comic history, but still it's me. It's not a drawing, it's not an artist; it's me and I'm kinda frightened, but it seemed to go down.

I drag a lot of stuff round with me that I don't need.

Only when Stephen Strange has his accident and everything that he's ever had in his life falls apart that he becomes pretty monstrous. It's the self-loathing rage of a wounded animal and he doesn't have a coping mechanism at all. It ties in with the discipline and the magic of this world.

I love doing impersonations of people.

Maybe it's because I was an only child, but I've always wanted kids.

I had to imagine myself into certain aspects of [Julian Assange] character for our version of events. That involved extrapolating based on clues in his biography, his public persona, photographs, and other accounts of him by people who encountered him during that extraordinary period from 2007 to 2010 that we charted in the film [The Fifth Estate]. So, it involved a lot of research but, sadly, no contact with the man himself.

I don't live beyond my means. I enjoy luxury and I enjoy the privilege of it, when I can afford it, and I'm in the situation where it's been given to me, but I'm very conscious of what is wasteful.