Upper class to me means you are either born into wealth or you're Royalty.

I was very nervous about doing the Entertainment Weekly cover, because I thought, "Okay, this is the first taste, this is the first visual moment." By then I obviously knew a lot of the more iconic moments in his comic history, but still it's me. It's not a drawing, it's not an artist; it's me and I'm kinda frightened, but it seemed to go down.

Those are more universal things than some of the characters I play, who are slightly sociopathic. I keep reminding people I can do ordinary.

I suppose my bodily proportions are quite flattering. I'm ripped, doing something I wouldn't normally do with my body, or having done to it, involving Watson.

The biggest lesson Stephen Strange learns in this film is it's not all about him.

I'd love to meet Julian [Assange], and time permitting, and his will permitting, I'm sure it will happen at some point. Even though he's been very critical of the film [The Fifth Estate], he's been very polite about me and my work, and I feel the same way about him.

Conan Doyle is amazing in the way he has Watson describe Sherlock’s posture, mood swings, his hand gestures, and so forth in the novels.