Someone will always hate what I say. There’s always going to be somebody spitting blood about my wooden-faced, toffee-named, crappy acting.

There's a huge raft of roles that actors in our culture perform, and you can see any one of about three Hamlets in a year. It's not something to be completely daunted by.

I play enough other mad people, as well and some sane people, to vary the palette of what's scrabbling around in my head and soul to bring to the floor, as a storyteller.

Thus, a vision of the whole gradually grew for me that was nourished by the various experiences and realizations I had encountered along my theological path. I rejoiced to be able to say something of my own, something new and yet completely within the faith of the Church. The feeling of aquiring a theological vision that was ever more clearly my own was the most wonderful experience of those years.

I'm aware of the power of looks. I've wanted to play roles that have gone to much better-looking people and you just think 'Oh well, that's the pin up guy's an actor like my friend James Mcavoy, who's gorgeous on screen. I'm not that. But at least I don't have to worry about taking precious care of my face because it's my commodity. That's a great freedom. I'm not afraid of being heinous for the sake of a part

I'm always keen to use my body in my work, so I'm looking forward to the motion capture for Smaug. Both Gollum and King Kong were primates, whereas I'm playing a serpent, so it'll be interesting - I'll have to tie my legs together, possibly, or else they'll be kind of splayed out to the side as a reptile's should be.

[Sherlock Holmes] has moved from being someone who was sociopathic, work-obsessed and slightly amoral, into being someone who has a certain degree of a private life, which is very, very private, with The Woman, or Irene Adler.