I would love to just have the work do the talking. We're in positions where people ask us questions; they want to know about more than just the work. And it can go into areas where I've completely shot my mouth off, whether it's too much about my private life or being too opinionated about things in the world. I think the better thing to do - I've learned this from people far wiser than me - is to do very good, quiet work behind closed doors.

I can’t stop traffic on Fifth Avenue, not unless I walk in front of an oncoming cab.

Animations are really powerful - it's not just entertainment, it's a very cunning way to get good ideas across.

I am very flattered. I have also become a verb as in "I have cumberbatched the UK audience" apparently. Who knows, by the end of the year I might become a swear word too! It's crazy and fun and very flattering.

To get a horse to hit a mark without a rider, to get it to stand up, to get it to rear, to get it to pick up a bucket and bring it over is amazing. It's hard work and very rewarding but can be dangerous.

My first, big, silly role at school was as Arthur Crocker-Harris in Rattigan's 'The Browning Version,' where my job was to make school-masters' wives weep with recognition.

I've been reading the books. It's the origination, it's the primary source. You should always go back to the books.