I'd love to meet Julian [Assange], and time permitting, and his will permitting, I'm sure it will happen at some point. Even though he's been very critical of the film [The Fifth Estate], he's been very polite about me and my work, and I feel the same way about him.

I like to think that we’re revolving on this planet and revolving through the galaxy. I love having context that’s so much bigger than I can fathom. It’s fantastic to realise how insignificant you are.

I think what I loved in cinema - and what I mean by cinema is not just films, but proper, classical cinema - are the extraordinary moments that can occur on screen. At the same time, I do feel that cinema and theater feed each other. I feel like you can do close-up on stage and you can do something very bold and highly characterized - and, dare I say, theatrical - on camera. I think the cameras and the viewpoints shift depending on the intensity and integrity of your intention and focus on that.

The world of 'Sherlock Holmes' and the world that we live in now is big enough to take more than one interpretation.

Even in cerebral roles that are seemingly intelligent and nothing else, I think it's so important to wrap your characterization in a physical form as well.

I'm not confident in social situations; just going up to someone in a bar and saying 'Hi' is going to be even more difficult because they won't know the real me. They will just know me as a fictional person I play on the screen.

You come into this world as you leave it, on your own. It's made me want to live a life slightly less ordinary.