Even in cerebral roles that are seemingly intelligent and nothing else, I think it's so important to wrap your characterization in a physical form as well.

I was brought up in a world of privilege.

I am a PR disaster because I talk too much.

I was very keen to work on the script with Scott Derrickson and [C. Robert] Cargill, and working out the important story beats, changing lines, upping the comedy, changing the pace, all of that was great fun.

New York City is crazy and beautiful and really close to my heart, and I've always had dear friends here - family, actually, I would say.

That's something I have to work on: to separate what really matters, to conserve energy by not worrying about what other people think. When I walk through that door, it's about home. If I didn't do that, I'd become consumed by one thing only and damage the people who love me. And it would damage the work.

I am shortsighted. I need glasses for watching movies or concerts. It's not a hipster affectation; I do have poor eyesight. This is how ridiculous my life is: I've had the test for contact lenses, but I haven't found a half-day where I can go to the optician.