If you can't fail, you can never get better.

I'm aware of the power of looks. I've wanted to play roles that have gone to much better-looking people and you just think 'Oh well, that's the pin up guy's an actor like my friend James Mcavoy, who's gorgeous on screen. I'm not that. But at least I don't have to worry about taking precious care of my face because it's my commodity. That's a great freedom. I'm not afraid of being heinous for the sake of a part

Thus, a vision of the whole gradually grew for me that was nourished by the various experiences and realizations I had encountered along my theological path. I rejoiced to be able to say something of my own, something new and yet completely within the faith of the Church. The feeling of aquiring a theological vision that was ever more clearly my own was the most wonderful experience of those years.

I've gone up two suit sizes. The character I'm playing, he's strong, I can say that much. I've changed my physique a bit, so that requires eating like a foie gras goose, well beyond your appetite. Providing I don't feel too ill, I then work out two hours a day with a phenomenal trainer. It's the L.A. way.

My first, big, silly role at school was as Arthur Crocker-Harris in Rattigan's 'The Browning Version,' where my job was to make school-masters' wives weep with recognition.

Even though my parents experiences were different from mine. I wasn't a child actor brat; I didn't travel with them in the circuit. But I got a look into their world, so I did know what I was getting into, to an extent. And they are a constant source of grounding.

Only when Stephen Strange has his accident and everything that he's ever had in his life falls apart that he becomes pretty monstrous. It's the self-loathing rage of a wounded animal and he doesn't have a coping mechanism at all. It ties in with the discipline and the magic of this world.