McWorld is a product of popular culture driven by expansionist commerce. Its template is American, its form style. Its goods are as much images as matรฉriel, an aesthetic as well as a product line. It is about culture as commodity, apparel as ideology. Its symbols are Harley-Davidson motorcycles and Cadillac motorcars hoisted from the roadways, where they once represented a mode of transportation, to the marquees of global market cafรฉs like Harley-Davidson's and the Hard Rock where they become icons of lifestyle.
Benjamin Barber9/11 was a signal that we were living in a new world - a world of interdependence, a world in which people could attack the United States not from the outside, but from the inside. It was a sign that the United States, the most powerful country in the world, could watch the cathedral of capitalism at the Trade Center and the heart of its defense at the Pentagon be struck internally, not really across borders, so that borders don't matter anymore.
Benjamin BarberIndependence used to be the ticket for liberty. But today, security and freedom, whether it's in the Arab Spring, whether it's in Iraq or whether it's right here in the United States, means working cooperatively and interdependently with others.
Benjamin BarberBy the laws of the land, people who come looking for jobs in America are illegal. But by the laws of economics, they are following the logic and laws of economics when they leave Guatemala and go to Mexico, leave Mexico and come to the U.S., leave Africa and go to Spain and Europe looking for jobs.
Benjamin BarberWhere once the student was taught that the unexamined life was not worth living, he is now taught that the profitably lived life is not worth examining.
Benjamin BarberThe question to ask is not whether you are a success or a failure, but whether you are a learner or a nonlearner.
Benjamin BarberMcWorld is a product of popular culture driven by expansionist commerce. Its template is American, its form style. Its goods are as much images as matรฉriel, an aesthetic as well as a product line. It is about culture as commodity, apparel as ideology. Its symbols are Harley-Davidson motorcycles and Cadillac motorcars hoisted from the roadways, where they once represented a mode of transportation, to the marquees of global market cafรฉs like Harley-Davidson's and the Hard Rock where they become icons of lifestyle.
Benjamin Barber