I loved working with Bob Dylan.

I'm playing 10 feet from Mike Campbell every night. I look across the stage, there's Howie. Tom's in the middle and we're playing all this stuff I love. It's great.

I try to find little things that you can do to move the song along and things that serve the song.

Fortunately, as we all know, it's impossible for anybody but Jimmy Smith to really sound like Jimmy Smith.

I loved Mal Evans holding one note down on You Won't See Me from Rubber Soul.

Sometimes you work with somebody you've never heard of because you just feel like working.

I think we've always been better live.