It's funny how something so normal and mundane that you see every day-your body-can be controversial. The shock value is intense. It's like carrying an art piece around with you all the time.

When you get a certain amount of media attention, I think people are like, "Where's your other album?"

This is how I feel about everything that's out of your control: once you make a record, it's not yours anymore. There's nothing you can do. It's the way I feel about political movements - both of those things grow on their own.

I worshipped Ethel Merman and I worshipped Ethel Merman a lot. It's incredible - Ethel Merman was a conventional singer. Her naming her child Ethel Merman, Jr., was, to me, one of the coolest feminist things.

My mother told me Homer Ditto was not my father. Nope. Mom had had a fling with some other guy who was my dad. Some dude who didn't stick around too long who Mom was happy to get rid of. She chose Homer, and Homer chose me, so he lent me his name even though I didn't have his blood.

I always think that people think that women in music are always angry. I'm not angry. Rock 'n' roll music made by men is so much more over-the-top aggressive than when a women says "you" and they're screaming it, it's like, 'Oh my God!' I'm like, 'Have you heard rock music made by men?'

The thing about being on the majors, from the beginning, going into this, I was like, "I'm not going to be treated like a factory," because that's never the way it was done before. You're talking about a major label, we're talking about serious business; you're not an artist anymore, you're a business, you have to work in terms of product, you have to release a product, and I don't really think that way at all.