Patrick Swayze had done The Outsiders already - he was certainly the star of our class - and for a big, sexy, horseback-ridin' Texan to come over and tell me that I'm beautiful, and look me right in the eye and make me accept that there's a beauty in the characters I play meant so much to me.

Tone is a very difficult thing. You can't write tone, I don't think. You can try - you certainly try. I write too, so I know I'm trying desperately to communicate to whoever's going to direct my pieces, the way I see the humor. But it's very difficult.

I didn't understand Southland Tales script at all! Is there a single word to describe it? Cacophony? It's celebrity meets pornography meets politics - it's unlike anything I've ever seen in my life. And slapstick humor, communism; I mean, what doesn't it have? It's crazy. I didn't go to Cannes, but I guess the first cut was three and a half hours or something?

My husband and I can't get through dinner without being defensive. We've been married 24 years, and I love my husband to death, but sometimes I say, "What are we? Two injured creatures who can't talk to each other without going, like, 'Ahhh!'?"

It's Richard Kelly's brilliance, because he led me to Donnie Darko performance. He wanted sincerity, he didn't want it to be one color, and he made me go vulnerable, and I think that's why it works. When you can get all those different colors and levels in one line. Time Out New York voted it "Best Line Of The Year" - which is crazy, because how many words is it? "Sometimes. I. Doubt. Your. Commitment. To. Sparkle. Motion." Eight words. It's crazy.

I thought Sissy Hickey should be really skinny and leathery and have one of those really husky voices, but Del Shores kept saying, "I wrote this part for you." He took me to his house and showed me pictures of all his Texas relatives, and they looked exactly like my family.

If you just think Donnie Darkos a weird movie, you don't want to think. You don't want to feel your feelings. So yeah, I do want to shake 'em up.