I built a career on my archetype, and I'm grateful, but I'm trying to stretch.

Everything I've done hasn't worked out - you know, some things aren't as great as others - but I'm having so much fun, who cares? Isn't that what an artist is supposed to do? We're trying to change the world. Otherwise, why be an artist? You want to shake people up and make 'em think.

I've workshopped Medea where I have goddesses, and I'm naked onstage and painted gold, and talking in tongues, and the goddesses come and dress me, and Hecate arrives and fills me with the power to go kill the children so I can send them to the afterlife and do this for all women. They've never done a Medea like that. They're cheating themselves by not letting me do these roles.

Sometimes I'll say, "When Sandy Bullock and I were doing Speed - the movie, not the drug." Just in case someone's listening.

At Rain Man, I was 38. And before that, I had really just started working when I was 36. I was very late. So I've got time, right? As long as I stay healthy and eat right.

Maybe the actors that used to turn down William Goldman's scripts - where he wanted them to stretch and grow, and he was mad at 'em, and said, "Why won't they be a real actor?" - maybe they just knew their audience. It's too bad.

I'd much rather insult people and make 'em angry. Donnie Darko's very controversial. Not all of my friends like it. Honestly, it's almost become a test for me. If somebody says they don't like Donnie Darko, I think, "Oh, I don't know you as well as I thought I did."