I grew up around people, so I know 'em, and I do like playin' 'em. I'm not religious, but I am kind of a spiritual fanatic, so maybe I understand them in that way.

My agent says, "You have an audition for the next Dustin Hoffman movie, playing a pioneer woman." And I go, "All right!" I passed Barry Levinson in the hall on the way into my audition, and I saw him do a double-take. I think I looked so determined that I got the job right then.

I had a very hard time accepting myself as a character actress, because I wanted to be glamorous and a leading lady like everybody else. I looked in the mirror and thought I looked pretty good, but casting didn't ever see me that way.

All of a sudden I got a vision of Guernica - Pablo Picasso's painting, which is one of my all-time favorite paintings in the world. I remember reading that it was very controversial at the time - some people said even used the word "childlike drawing" - and all of a sudden I thought, "This is like Guernica in Los Angeles!" And then it all made sense to me. It was all the elements that are the Southland.

I built a career on my archetype, and I'm grateful, but I'm trying to stretch.

Patrick Swayze was in an acting class with me. We were working on Who's Afraid Of Virginia Woolf together, and there was this beautiful blonde who was playing Honey - and I'm playing loudmouthed Martha - and she was so gorgeous, and the two guys were flirting and having fun with her, and so I started crying. Buddy came over and said, "Don't you know that you're beautiful? Don't you know that these women are beautiful?" It meant so much to me, because he was already sort of a star.

There's always that key to every character that lets you go to those places you need to go to. No matter how much you might hate the character, it makes you understand it.