Part of that is that New York has proved to be too much fun for me to live and work; I love New York so much.

The most glorious thing about working in the collaborative art is when you have somebody like Susan Kingsley or Kathy Bates who are better than your play.

That was always my inclination, to start on a new play before the other one gets done, because at least you'll have something to go back to if that play gets trashed.

What I loved about the acting class was that you got to think all day long about a person that wasn't you, and figure out why they were sad and what they wanted, what they dreamed.

Plays are so much more special if they've never ever had a production, but I think you can really work on a play and make it better with each production.

I did write a couple of original screenplays, but I'd rather write plays.

I love writing for the screen.