The most glorious thing about working in the collaborative art is when you have somebody like Susan Kingsley or Kathy Bates who are better than your play.

I find it fascinating to think about what the world is going to be like when people won't talk anymore.

But here's the thing: what you do as a screenwriter is you sell your copyright. As a novelist, as a poet, as a playwright, you maintain your copyright.

I love writing for the screen.

I'm very into the first production of the show.

It was kind of enlightening to become a playwright.

In movement class, you had to lie on the floor and get your alignment in to pass the class.