My fault now is making my plays too short.

The most glorious thing about working in the collaborative art is when you have somebody like Susan Kingsley or Kathy Bates who are better than your play.

It's called Sisters of the Winter Madrigal. It was interesting for me to see it done after so many years; because I wrote it and I didn't realize what a rage I was in.

There are probably brilliant people, geniuses, alive today who don't even know how to say, "Hello, how do you do?" because their minds are absorbed with electronic images.

What I loved about the acting class was that you got to think all day long about a person that wasn't you, and figure out why they were sad and what they wanted, what they dreamed.

It was kind of enlightening to become a playwright.

Part of that is that New York has proved to be too much fun for me to live and work; I love New York so much.