And I like messing around in the engine room of music. Seeing what happens in the rhythm section area.

You learn so much about music from all the people you surround yourself with - good, bad and indifferent. It's extremely hard to be specific.

Sometimes I had to room with Tony Kaye and that was awful.

I don't really remember a whole lot of sex, drugs and rock n' roll, really.

The best practice you can get is on the bandstand, but in between gigs I feel I have to stay in shape.

Entertainment is about telling everybody that everything is alright but music is on the side of the upsetters and that's where I'm at.

At the end of the whole day of working with people you want some privacy.