I think people who sample are cheating. It is like people who do collages. Use all of your own stuff.

I have been going to Italy since 1980, but I always went to do work. I did not live overseas, because I do not like running around with everything I own in a paper bag.

If I had money, I would like to get an old building, have music performances, do lithographs, have shows of paintings, and do those things that I'm interested in doing.

Most of my recorded material has been in small group configurations. I have not released large orchestral works as recordings because it hasn't been within the realm of possibility.

The magic of playing has to do with how much everyone wants it to succeed. If you have five players in a situation where the music is being improvised and one is determined it is not going to succeed, it won't succeed even if one of the musicians takes control.

If you are you, 24 hours a day, then you do not have to remember who you are supposed to be in different situations - something that I imagine could be troublesome.

I have no distributor... it is indicative to me that there are these pockets of players and collectors all over. You should see the correspondence I get from over the world letting me know how significant they think I am. I know that wherever I go, I am well received.