When I got to Saturday Night Live, it was a lot like going from pre-school to Harvard, and it took a long time to figure stuff out.

When I got to Saturday Night Live, it was a lot like going from pre-school to Harvard, and it took a long time to figure stuff out.

I would say the biggest difference is that you're just in a studio by yourself when you're making an animated movie. You don't have anybody to play off of.

I always felt better co-writing something - always co-writing. Because if I was the lead of it and it failed, then it failed on my own accord. I would say, "Well, I liked it or I screwed up. I take the hit on this one."

I remember getting in the elevator for my audition and there was a guy next to me who had a backpack full of props and wigs and things, and I went, 'Oh, my God, that guy is so prepared, I have nothing, I have no props.' And that was Andy Samberg. And Andy Samberg said he was looking at me going, 'Oh, that guy has no props. He doesn't need props.' And that was the first time we met, was in that elevator.

Richard Grieco once asked for a bunch of M&M's

The best thing to do is to get out in front of an audience as much as you can, and learn from the experience.