When I got to Saturday Night Live, it was a lot like going from pre-school to Harvard, and it took a long time to figure stuff out.

Richard Grieco once asked for a bunch of M&M's

I move out here, and next thing I know I'm 25, and the only thing I've heard is, 'Can you get a coffee, can you hurry up with the thing, blah blah blah.' It was nice doing something and hearing someone go, 'Hey, you're good at this.'

My dad's from there, and I have relatives there, but I don't think I've been to Chicago since I was like 9.

I would say the biggest difference is that you're just in a studio by yourself when you're making an animated movie. You don't have anybody to play off of.

Comedy is this weird thing. You have no idea why certain things work and other things don't work.

I always felt better co-writing something - always co-writing. Because if I was the lead of it and it failed, then it failed on my own accord. I would say, "Well, I liked it or I screwed up. I take the hit on this one."