One of the problems I have with a lot of movies these days is that everything is too well lit. In the world of digital creations there is a tendency to show too much

Nothing is really media driven or committee driven, so you can actually just produce something

After that I jumped, especially being in art school, to the illustrators.

Especially with Elektra, because I'm doing a lot of the covers for the new version of Elektra.

I was lucky enough to be given books that weren't top sellers; books that were kind of under the radar

It's interesting, because in the corporate stuff there's a dichotomy there, depending on the creator. Even what, in essence, may be a very safe corporate approach, there is some stuff that is allowed to be pushed

To me, that's one of the things that I love about doing this stuff. One day I can work on this piece in watercolor, and then work on something else on the computer, or work on something else that's a completely different approach